fictions & interactions
The notion of interaction lays at the basis of the line of research Interactions & Fictions and determines three experimental axes concerning the artistic fictions.
The notion of interaction lays at the basis of the line of research Interactions & Fictions and determines three experimental axes concerning the artistic fictions:
– Interaction between the media of one work of art: ” intermediality “,
– Interaction between the fiction and the reality: “interpenetrations”,
– Interaction between the work of art and the user, the interactive devices and the participants: “interactivity”.
Audiovisual devices, exhibition modalities, on-line works of art, interactive works, alternated realities, urban games are the main areas of the researches involved.
Concentrated at first on the questions of territories and definitions of the artistic fictions (semantic, syntactic, pragmatic approaches), the team promotes from now on its researches on the notion of interaction in the couple Fictions and interactions.
The questions of the artistic devices; relationships between real, fictional, virtual immersions; those of the performativity and the effects of presence are developed. They involve notions of the “situated interactions”, of “geofiction” & sound fictions. The questions of the mobility and the digital interfaces in the multiuser devices, Alternated Realities Games (ARGs), Hybrid Reality Games, (HRGs) have become now the center of the researches for the team Interactions et Fictions.